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                  | Maher, Matt  
                      Empty and Beautiful      Matt Maher’s Empty and Beautiful  is one of the best new albums I’ve heard this year. The album was released on April 8 and is sure to be a favorite of all who hear it. Joyful  upbeat songs such as “Your Grace Is Enough,” “Look Like A Fool,” “Great Things”  and “Shine Like The Son” are bound to have you on your feet leaping around  praising God. Similarly, the songs “As It Is In Heaven,” “Leave A Light On,”  “Unwavering” and “Lay It Down” will quickly lead you into a quiet place of worship.  “Empty and Beautiful” is an album that is fun and one that has something for  everyone. It will not disappoint! Album Highlights: The entire CD!  – kimberly a. lilly
 Mandisa 
                      True Beauty     Refreshing and revealing, thought-provoking and   truthful, Mandisa’s debut release True Beauty is an absolute delight.  Stellar   vocals and a rich full musical sound add to the pure joy of a CD that reflects   the heart of a woman who has found the love of Jesus in the midst of   heart-wrenching pain.  I’d like to give this CD to everyone I know with the   words, “Listen to this.  This is what Jesus is all about.”  If you only buy one   new CD this year, make it this one. Buy it for yourself and buy it for someone   you love. Album Highlights: "God Speaking" - linda michaels
 Manic Drive 
                      Rest & Rewind    In their latest album, Reset & Rewind, Manic    Drive has managed to beat the sophomore lull and  turn out an album sure to be a favorite. Though the messages are traditional,  the band doesn’t hold back in how these messages are presented. In “Obvious” they  challenge listeners to deepen their faith, singing, “Sing your melodies, but  would you ever think to die for it, like many men who have devoted their whole  lives for it?” For those already on their way, but unsure of where to go next,  “Eleven Regrets” vents the frustration of loving God and having nothing left to  offer. After the harder material that makes up most of the album, listeners  will be happy for the 11th (“L-O-V-E”) and 13th (“The Inventor”)  tracks, which let up for some light praise. Though decidedly a rock album, Reset & Rewind has a little  something for everyone. Highlights: “Obvious,” “December Mourning,” and  “L-O-V-E"- bethany duval
 Mars Ill  
                      Pro Pain      “This ain’t just a rhyme / It slips into your skin.” The words of manCHILD properly sum up the long-awaited Gotee Records release Pro Pain. After a year of stalling and false starts, Mars Ill finally unleashes a powerful album. In raw hip-hop beats that sample old school soul (“I Is”), rock guitars (“Glam Rock”), and ‘70s bass lines (“Say So”), the duo describe life stuck in between greatness and reality. Honesty about  fame's rough side in “Dog Ear Page” and “The Moment” give this reviewer  more respect for the men who added essential bricks the foundation of Christian rap. You have to dig deep for the spiritual content but songs like “When Heaven Scrapes” will leave little doubt of where Mars Ill’s convictions lie. Album Highlights: “More” featuring Ahmad Jones and “Effortless” - jennifer e. jones
 Marty Stuart and his Fabulous Superlatives 
                      Souls' Chapel      Aside from having a cool band name, Marty Stuart and his Fabulous Superlatives offer this blues/country medley that is southern comfort to the soul. Inspired by the Staple Singers as a child, you can hear the influences of the southern and black gospel as well as the blues legends in his downhome guitar licks.  It kicks off with “Somebody Save Me” that has the Soggy Bottom Boys-esque harmonies with a lot of soul. It rocks on to the last song, which is the title track, where the guitar echos in a dream-like haze. Definitely for the blues lover in you. Album Highlights: “Souls’ Chapel,” “Lord Give Me Just a Little More Time,” and “I Can’t Even Walk”  - jennifer e. jones
 Mary Mary 
                      The Sound    “The Sound” is completely opposite of what you’ve heard from  Mary Mary in the past. The album features many R&B/Hip-hop like tunes that  will appeal more to the younger generation. Technically and musically, the  album is very well put together, as it explores a variety of musical elements  that I am sure many people will appreciate. However, on a spiritual and  intellectual level the album is suffering drastically and as a result the best  thing about it is the sound of the beats to many of the songs. Album  Highlights: “I’m Running” and “Seattle”  – kimberly a. lilly
Mary Mary      The princesses of  Christian R&B return with more hip-hop soul. Heads are still bobbin’ from “Shackles,” and the ladies did not disappoint for their third album. They have a little something for everyone with the big band sounds of “Biggest, Greatest Thing” to the disco-flavored “The Real Party.” The collaboration with Kirk Franklin, “And I,” is an airy, mellow mix -- unexpected but went with the album’s flow. Lastly, Mary Mary really showcases their spectacular singing. Their vocals are solid from track to track. Album Highlights: “Believer,” “What Is This,” “Biggest, Greatest Thing,” and “Yesterday”  - jennifer e. jones
 Max, Kevin 
                      The Imposter       KMax has one of the most recognizable voices in music. It’s sweet to hear that it’s not only the highlight of The Imposter, but has only gotten stronger with age. The sophomore release on Northern Records holds nothing that’s typical and everything that’s relevant about today’s “Killers-Franz Ferdinand” rock scene. “Confessional Booth” kicks off the album with a good scream and  total rock’n’roll flare. “Sanctuary” is a solid radio hit, and lines like “I find your beautiful mind in everything / And everything is all I need” in “Beautiful Mind” highlight Max’s hidden sensitivity to the divine. In my favorite surprise of all, listen to KMax go gospel on “When He Returns.” You just gotta love this guy. Album Highlights: “Platform,” “Confessional Booth,” “Sanctuary,” “When He Returns”  - jennifer e. jones
 McDonald, Shawn  
                      Scattered Pieces: Live     Shawn McDonald is raspy and full of heart on his live CD, Scattered Pieces. He starts off with the breathless “Ramblings of a Beggar”  from Ripen and bleeds right into “I Am Nothing” from his debut album -- showing  how much this artist has truly grown in the last three years. McDonald keeps  it cool with his mostly acoustic blend. If I had one complaint, it’s that  certain songs sound dangerously like their album versions, thus making the performance  less exceptional. However, within the 17 tracks, McDonald tries to mix it up (i.e., the  up tempo “Gravity”, “Take My Hand” and the sweet serenity when Shawn and his  audience join in the chorus of “Amazing Grace”). Shawn McDonald fans will get  their money’s worth with Scattered Pieces but others may want to wait for new  material. Album Highlights: “Gravity” and “Amazing Grace” - jennifer e. jones
Ripen       Shawn McDonald has grown up from the shy guy with a lone guitar, and his sophomore album Ripen shows every inch of that evolution. McDonald’s sound is much more full now with a wide array of instruments. Listen to Ripen with headphones on, and you’ll hear a rainforest of sounds, especially on songs like “The Rider on the White Horse.” Lovers of Simply Nothing may be surprised but rest assure that Shawn still keeps it acoustically mellow (The heartfelt-almost-made-me-cry ballad “Lovely” is very reminiscent of classic McDonald), and his yearning to grow closer to God has not wavered. Very much an experience album, Ripen flows and takes you on a journey from track to track. Album Highlights: “Reason,” “The Rider on the White Horse,” and ”Take Hold” - jennifer e. jones
  McClurkin, Donnie 
                      We All Are One     One of gospel music’s top male vocalists, Donnie McClurkin, releases another gospel hit album. We All Are One features Mary Mary, Ce Ce Winans, and Yolanda Adams. Listening to this album was refreshing, as it took my mind back to the gospel music world and its roots. Donnie McClurkin continues to prevail in drawing listeners to the simplicity of his lyrics, the unfathomed meaning behind the lyrics, and the anointing that flows out of the music. Album Highlights: “Trusting in You,” “We All Are One,” and “The Great I Am.”   - ashley card
 McLaughlin, Jon  
                      OK Now     Jon’s sophomore effort is  already seeing some mainstream success with “Beating My Heart” making  Billboard’s Hot Adult Top 40 Tracks at #21, just behind Colbie Calliat. Laced  with modern backbeats and synthesizers reminiscent of Coldplay’s signature  sound, it's one of the album’s best. Jon shows off his admirable talent as he  rocks the piano keys in a Billy Joel like manner. He’ll charm you with his  soulful voice and honest lyrics about his faith, life, and love; still he's not  the Piano Man.  Album highlights:  “Beating My Heart,” “You Are the  One I Love,” “We All Need Saving.” - hannah goodwyn
Indiana     Indiana,   singer-songwriter and pianist Jon McLaughlin’s first Island Records release, is   a stellar album. Waxing soulfully with his rich, scratchy, smokey vocals, Jon   soothes and inspires with his jazzy selections. With hints of Billy Joel, Elton   John, Maroon 5, Switchfoot (especially on “Anthem for American Teenagers”), and   Train, his piano-driving, high-hat-hitting, guitar-riffing tunes and   deep-thinking lyrics will resonate with a Christian market interested in a bit   more edgy and emotionally raw material. Something familiar, and something a bit   different, Jon  manages to incorporate a sound all his own. And because of   that, we will likely see this up-and-coming artist stick around for a   while.  Album Highlights: “Beautiful Disaster” and “Anthem for American   Teenagers” - laura j. bagby
 McNease, Heath   
                      The Heath McNease Fan Club Meets Tonight      Heath McNease is certainly not the first rapper to throw his  guitar licks on to a turntable. Listening to his debut album, it’s difficult  not to think of John Reuben and Paul Wright. Since he’s going to ride the  acoustic hip-hop train, at least he rides it well… if not better than his predecessors.  McNease is a former college theater major, and it shows because he’s not afraid  to throw himself into his songs. His rhymes are oddly edgy, clever and quick especially  on “Rumors”, (i.e., “He’s obnoxious and obstinate / Let's hope we don’t see him  topless on COPS again”). In spite of promoting all the loose screws in his  head, McNease boasts mostly in the Lord. Sprinkled throughout this hip-hop odyssey  is genuine faith. Listen to McNease’s blend of rap,  soul, rock and reggae with an open mind but be careful. You may wind up a  member in his fan club without even realizing it. Album Highlights: “Rumors”  and “Love Me” [Featuring Pigeon John]  - jennifer e. jones
 MercyMe 
                      Coming Up to Breathe      “This is MercyMe?” That’s what you might ask yourself when the title track of Coming Up to Breathe hits your ears. The boys who once called themselves the poster children for adult contemporary rock out a bit on their fifth studio release. The circus feel of “So Long Self” speaks to the light-hearted nature that weaves in and out of every song, while “Hold Fast” shows the strength of God’s grip on us in hard times. I’m appreciating the slight shift in their musical focus. It reflects a band whose tragedies have given them faith that’s both rock-solid and child-like. Album Highlights: “Hold Fast,” “3:42 a.m. (Writer’s Block)” and “Coming Up to Breathe - jennifer e. jones
Live [DVD]      Musically, even the casual MercyMe fan will get their money’s worth. Read the full review...
The Christmas Sessions      Bart Millard and the boys  fused 
                together a variety of musical styles with diverse arrangements that 
                encompass a wide spectrum of musical influences.  From the U2 styled guitar 
                on "It Came upon a Midnight Clear" to the Mannheim Steamroller influenced 
                "God Rest Ye Merry Gentlemen" to the country swing of "Silent Night," the 
                band leaves virtually no musical stone  unturned. The Christmas 
                Sessions effectively bounces back and forth between religious themed carols 
                and rollicking renditions of time tested commercial classics. There is no real downside to this album; it is strong throughout. Album Highlights: "It Came upon a Midnight Clear," "I Heard the Bells on 
                Christmas Day," and "Joseph's Lullaby" - chris carpenter
 Metallo, Alyce  
                      Alyce  Metallo    A high school Spanish teacher, singing professionally and  making a difference in teenage lives has always been a balancing act for Alyce  Metallo. With the release of her self-titled debut album, however, she has put  her focus on singing and isn’t looking back. Similar to the R&B-gospel  style of Yolanda Adams, Metallo is full of energy. From the opening song,  “Stay,” strong vocals and a good beat encourage listeners to get on their feet,  and though Metallo slows down at points, her enthusiasm never dies. Whether  it’s original tracks of celebration of God and Christian fellowship or her  jazzed up rendition of “Blessed Assurance,” Metallo shares a sincere excitement  unique in the musical world. Though Metallo caters to a niche gospel audience,  her talent and passion is such that every other niche can at least appreciate.  Highlights: “Stay,” and “I’ll Fly Away.” – bethany duVal
 Meyers, Krystal  
                      Make Some Noise      Make Some Noise offers some new musical styles and a new lyrical depth for Krystal Meyers’ fans. With a  songwriting ability that seems well developed for a 20-year-old, she tackles  topics that go deeper than typical feel-good pop lyrics. She is at her best  on rock tracks like “My Freedom,” asking God to set us free, and “S.O.S.” which  calls out to God for rescue. She also mixes it up stylistically with upbeat  dance tracks like “Love It Away,” “Shine,” and “You’ll Never Know,” a song that  feels like something straight out of the 1980s. Of course the album wouldn’t be  complete without a couple songs aimed primarily at her teen girl fan base.  These include “Up to You,” a classic teen break-up song, and “Beautiful  Tonight,” about our identity in Christ. Overall, this is a solid album from an  artist who is proving herself to be quite versatile. Album Highlights: “Shine,”  “My Freedom,” and “S.O.S.” - belinda elliott
Dying for a Heart     The issues I had with Krystal Meyers’ first self-titled album still linger with her follow-up, Dying For a Heart. We already have an Avril Lavigne; we don’t need another one. Nevertheless, if you’re into that kind of music, Meyers’ MTV-tween market pop/rock sound is admirable. She offers up 10 songs (all under four minutes for those with short attention spans) to move your inner “sk8er grl.” To her credit, she takes on more serious problems than just teenage angst. On “The Situation” Meyers sings/screams about the various situations teens find themselves in and how “Jesus can be your escape.” Maybe you need to wear a chain attached to your belt to get into Meyers’ brand of tomboy rock’n’roll,  but if you’re that girl, this one’s for you. Album Highlights: “The Situation” and “Together” - jennifer e. jones
 Michael Gungor Band, The  
                      Ancient Skies   At a time when hymns are making their exit, and churches desperately need praise songs with spiritual depth, the Michael Gungor Band gives us … more milk. A collection of songs originally written for Gungor’s church, Ancient Skies is a rock-praise album full of repetitive and uninspiring lyrics. Choruses are simple repetitions of one or two lines, and Gungor’s themes hardly go beyond the fact that, well, God is pretty awesome. Whereas some people can pull this off, Gungor’s lack of scriptural roots cause his words simply to sound like a recitation of Christianese. Even when he broaches more challenging topics (“White Man,” “Song For My Family”), his words ring hollow because other people have already written on those songs—and they’ve written them better. For teen retreats who need a few songs to jump around to, this album will be great; but for those of us looking for something original, Gungor just doesn’t make the cut. –  bethany duval
All I Need Is Here     After years as a solo artist and worship leader, Michael  Gungor has assembled a few of his musical friends (including his wife and  brother) to create The Michael Gungor Band. Their first offering is All I Need Is Here, a collection of  corporate worship songs with a hint of David Crowder Band mixed into  easy-to-sing Matt Redman. Before you think it's standard worship-fare, Gungor  spices it up with his own twist. “Ancient Skies” is full of  bright lights, and every hand should raise at the praise-worthy “Prodigal”. The jump from folk to cascading electric rock on “Fly” is surprisingly brilliant.  The ballads on this album showcase Gungor’s sensitivity to the Spirit yet  the uptempo tunes show his band’s musical depth. Fantastic! Album Highlights: “Fly”  and “Prodigal” - jennifer e. jones
 Millard, Bart  
                      Hymned Again      MercyMe’s frontman Bart Millard follows up his 2005  collection of hymns with Hymned Again,  a new assortment of old favorites. These may be the hymns you grew up singing,  but probably not like this. Millard mixes the familiar songs with styles  ranging from New Orleans  jazz to down-home southern bluegrass. While his first album paid tribute to his  grandmother and the hymns she used to sing, this one was inspired by his kids.  Several of the hymns are well-known favorites including toe-tapping versions of  “I Saw the Light,” “Stand Up, Stand Up for Jesus,” and “Victory in Jesus.” Other  tracks are lesser known, but soon to become favorites. These include “Brethren  We Have Met to Worship” and the only original on the album, “Jesus Cares for Me,”  which features Millard singing with country artist Vince Gill. This album has  quickly become one of my favorites. Album highlights: “Victory in Jesus,” “I  Saw the Light,” and “Brethren We Have Met to Worship” – belinda elliott
 MissionSix  
                      Superhero     The five small town boys of MissionSix may not seem like rock stars at first glance. They are young (between the ages of 12-14), inexperienced, and somewhat lacking height at the moment. However, given a chance, this group proves to be both talented and mature. With energetic tunes that primarily target preteens, their debut album, Superhero, offers clean fun and a clear message of hope, life, and Christ. As the young band members all play instruments, produce a unique sound, and have even helped write their songs, they show our culture and specifically their generation that with God on your side anything is possible. People will be bobbing their heads to MissionSix for years to come. Album Highlights: “Monday Morning,”  “We Got The Beat” and “Walk A Mile” – amy nickerson
 Monk & Neagle  
                      The Twenty-First Time   The Twenty-First Time is  an album of highs and lows. It’s not as soulful as Monk and Neagle’s debut. You  don’t get a good groove going until you hear “Into Orbit”. Most of the songs  are standard adult contemporary pop, which is good, just not as interesting as  before. Lyrically, M&N couldn’t get better. “What Soldiers Do” is valiant,  and “Beautiful You” is a happy-go-lucky, acoustic lover’s dream. I expected a  bit more from the worshipful “Hallelujah, Jesus”, but it’s okay as ballads go.  The debut album's “Stars Would Fall” makes a reappearance on this album without  much explanation; however, it’s still a great song. It would have been nice to  see them test the limits a bit more. They certainly have the talent to go  further. Album Highlights: “Into Orbit” and “What Soldiers Do” - jennifer e. jones
 Moore, Geoff  Morant, Jason  Moss, J  Mullen, Nicole C.  Munizzi, Martha    |    
 
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